[{"data":1,"prerenderedAt":188},["ShallowReactive",2],{"$fx_8UBRBFwZopTuQZsaIl6d_AKrJV4qkZxTfxrl-dcOU":3},[4],{"id":5,"slug":6,"title":7,"type":9,"link":10,"acf":11,"blocks":187},924,"sieben-positionen",{"rendered":8},"sieben positionen","exhibition","https://service.kunstbruecke.at/ausstellung/sieben-positionen/",{"filemaker_id":12,"duration":13,"title":8,"intro":17,"wysiwyg":18,"location":19,"image":22,"video":56,"subtitle":16,"type":57,"opening":16,"artists":16,"media":60,"events":16,"downloads":56,"links":56},"KB_2005_02",{"from":14,"until":15,"text":16},"14.06.2005","26.08.2005","","Alexandra von Hellberg, Josef Rainer, Peter Sandbichler, Nikolaus Schletterer, Renée Stieger, Letizia Werth, Heidrun Widmoser","\u003Cp class=\"my-2 [&+p]:mt-4 [&_strong:has(+br)]:inline-block [&_strong:has(+br)]:pb-2\">Die aktuelle Ausstellung \u003Cem>sieben positionen\u003C/em> knüpft an das Projekt \u003Cem>sechs positionen\u003C/em> von 2003 an und setzt die Ausstellungsreihe fort, in der eingeladene Künstler:innen teils eigens neue Arbeiten entwickeln.\u003C/p>\n\u003Cp class=\"my-2 [&+p]:mt-4 [&_strong:has(+br)]:inline-block [&_strong:has(+br)]:pb-2\">Heidrun Widmoser arbeitet mit Öl oder Eitempera auf Leinwand und entwickelt aus scheinbar beiläufig fotografierten Naturausschnitten collagierte Entwürfe, die im Malprozess abstrahiert werden – es entstehen Bilder mit weich verschwimmenden Formen zwischen Gegenständlichkeit und Abstraktion. Auch Letizia Werth nutzt Fotografien als Ausgangsmaterial: Private Erinnerungsbilder unbekannter Personen, auf Flohmärkten gefunden, überführt sie in feinste Bleistiftzeichnungen.\u003C/p>\n\u003Cp class=\"my-2 [&+p]:mt-4 [&_strong:has(+br)]:inline-block [&_strong:has(+br)]:pb-2\">Aus dem grafischen Bereich kommt Alexandra von Hellberg, deren Hauptmedium die Radierung ist; für die Ausstellung gestaltet sie eine Rauminstallation als „Horrorkabinett des Kitsches“ aus gesammelten Wegwerfartikeln, Zeitungsausschnitten und Heiligenbildchen. Eine ganz andere Form der Rauminstallation zeigt Josef Rainer, der mit kleinen Gipsfiguren alltägliche Szenen inszeniert und diese in Fotoarbeiten in reale Umgebungen versetzt, wodurch irritierende Verschiebungen zwischen Realität und Fiktion entstehen.\u003C/p>\n\u003Cp class=\"my-2 [&+p]:mt-4 [&_strong:has(+br)]:inline-block [&_strong:has(+br)]:pb-2\">Nikolaus Schletterer präsentiert eine Serie von „Speicherpaaren“: Mit der Großbildkamera fotografierte Trinkwasserspeicher transformieren sich in den zweiteiligen Arbeiten zu fast mystischen, abstrahierten Kunstwelten. 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